Room WJB 2034
Robert Neuman (Ph.D., University of Michigan, Ann Arbor) specializes in early modern European art, with an emphasis on social and religious history, gender studies, and the intersection of high art and popular culture.
His new book, Baroque and Rococo Art and Architecture, is the first in-depth history of one of the great periods of Western art, spanning the years 1585 to 1785 (Pearson, 2013). The text treats the major media: painting, sculpture, drawings, prints, and architecture as well as gardens, furniture, tapestries, costume, jewelry, and ceramics. All of these are treated in terms of their original function and patronage and with emphasis on the social, political and cultural context. The book contains biographies of the leading creative figures of the time, from Caravaggio and Rembrandt to Watteau and Hogarth. Significantly, Professor Neuman offers a full account of women artists and the representation of women and families in art.
Dr. Neuman’s book, Robert de Cotte and the Perfection of Architecture in Eighteenth-Century France, is the only comprehensive examination of the French royal architect during a period when Paris became the center of courtly fashion. The recipient of several awards, including grants from the French Government and the Millard Meiss Fund, Dr. Neuman is currently working on diverse topics, including Watteau, garden sculpture, and genre prints. He is also researching the role of American movies in shaping perception of historic architecture. He is a former book review editor for the Journal of the Society of Architectural Historians.
A dedicated teacher, Prof. Neuman has received three teaching awards at Florida State, including the prestigious University Teaching Award. He offers a cycle of courses on both the undergraduate and graduate levels: Southern Baroque Art, Northern Baroque Art, and Eighteenth-Century Art. Seminar topics include “The Baroque Woman,” “Nature Perfected: Gardens and Landscapes,” and “French Architecture from Baroque to Rococo.” In addition to classes in European art, Dr. Neuman treats twentieth-century American art and design through analysis of themed environments and classic 2-D animation. These courses focus on the impact of film, television, merchandising, and leisure on visual culture.
Sarah Buck, “Nicolas II de Larmessin’s Les Costumes Grotesques(c. 1695): Prints and Professional Habits in the ancien régime.”
Michelle Demeter, “The Intersection of American Historical Imagination and Entertainment: Walt Disney’s Contributions to the 1964-65 New York World’s Fair.”
Segundo Fernandez, “David Cox (1783-1859) and the Painterly Picturesque: From God, the Theatre, and the Old Masters, a New Naturalism in British Landscape Watercolours.”
Mery-et Lescher, “The Little Studio That Could: Walt Disney Feature Animation’s Florida Studio (1989-2004).
Keri Watson, “‘Black Saturday’: Eudora Welty’s Unpublished Photographic Essay of Depression-era Mississippi.”
Julianne Sandlin, “Religious Orders and Catholic Reform: Parisian Churches during the Reign of Louis XIII.”
Barbara J. Johnston, “Sacred Kingship and Royal Patronage in the Vie de la Magdalene: Pilgrimage, Politics, Passion Plays, and the Life of Louis of Savoy.”
Preston McLane, “Alessandro Magnasco and the Painterly Picaresque.”
Bernardine Heller-Greenman, “The Monument du costume of Jean-Michel Moreau le Jeune in the Context of Rousseau and the Ancien Régime.”
Steven Salyers, “The Theme Park as Art and Narrative: A Case Study of the Disney-MGM Studios.”