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‘Kin Theory: Why Indigenous Representation Matters’ opens conversation with Indigenous media makers

Story Courtesy of FSU News Florida State University’s Department of Art History will co-host a…

Virtual Indigenous Film Showcase: Watch

Welcome Introductions  Feature Film Miss Navajo Content Warning: This film includes scenes of Diné…

Virtual Global Indigenous Film Showcase

Land Acknowledgment We acknowledge that the William Johnston Building at Florida State University is located…

‘Kin Theory: Why Indigenous Representation Matters’ opens conversation with Indigenous media makers

Brit Hensel interviewing an elder on the set of ᎤᏕᏲᏅ. Photo credit: Taylor Hensel.

Story Courtesy of FSU News

Florida State University’s Department of Art History will co-host a virtual film screening and panel discussion about the importance of narrative sovereignty, where Indigenous creators regain control of their stories in a rapidly shifting industry landscape.

“These films and scholarship offer significant examples of self-representation and demonstrate that Indigenous peoples and cultures exist in the present,” said Michael Carrasco, associate dean of the College of Fine Arts. “They are critical tools for changing stereotypical depictions of Native Americas in the United States and of Indigenous peoples worldwide.”

The event, “Kin Theory: Why Indigenous Representation Matters,” will focus on the importance of inclusion of Indigenous artists in front of and behind the camera, to amplify Indigenous stories, perspectives and protocols at all levels. This virtual panel discussion will take place at 6 p.m. Tuesday, Nov. 9.

Participants will watch stories and hear from Indigenous media makers in film and television including Brit Hensel, writer, award-winning filmmaker and cinematographer (“OsiyoTV,” “Reservation Dogs,” Reciprocity Project); Princess Daazhraii Johnson, producer and screenwriter (“Molly of Denali,” Reciprocity Project); and Theola Ross, social worker and filmmaker (NSI IndigiDocs, “CBC ShortDocs”). Tracy Rector, the managing director of storytelling at Nia Tero, will moderate the event.

“I think it’s time we ask ourselves, ‘who is telling this story and why?’” Hensel said. “Empowering Indigenous folks to be the shapers of their own stories is a vital component in cultivating perspective and raising consciousness. It is also an act of sovereignty. After all, we know our communities best, and we are the only ones capable of sharing our stories in a way that promulgates health, hope and truth-telling.”

Florida State University’s Department of Art History, College of Communication and Information, School of Communication, the FSU Native American and Indigenous Studies Ad Hoc Committee and Nia Tero, a nonprofit that works with Indigenous peoples and movements are co-hosting this event.

“I am excited for the FSU campus community and wider public to have an opportunity to learn from leading Indigenous creatives who are breaking new ground within the media industry today,” said Kristin Dowell, director of Museum and Cultural Heritage Studies and co-organizer for the event.

The organizations believe that by increasing collaboration, there is hope for more opportunities for different groups of creators.

“Indigenous storytelling links a millennium of knowledge with current day life,” Rector said. “As you’ll see from the beautiful video of these panelists, it is integral not only to Indigenous family life today, generational healing and future growth but also to climate justice that benefits all we share this Earth with, Indigenous and otherwise.”

Those who register for the event in advance will receive a private link to watch media work created by the panelists.

For more information or to register, visit https://arthistory.fsu.edu/kin/.

 

Virtual Indigenous Film Showcase: Watch

Welcome Introductions




Feature Film

Miss Navajo

Content Warning: This film includes scenes of Diné customary practices including sheep butchering which is part of the Miss Navajo Nation competition at 32:43-35:47.

Director: Billy Luther (Diné)
2007 | 60 minutes

For the past 50 years, the Miss Navajo Nation pageant has celebrated Navajo women and traditional values, language, and inner beauty. Held over a five-day period at the annual Navajo Nation Fair, contestants are required to showcase skills that are crucial to Navajo daily life, including sheep butchering, fry-bread making and rug weaving. Through interviews with new and previous pageant contestants, Miss Navajo reveals the importance of cultural preservation and the meaning of being a woman in Navajo culture.

https://itvs.org/films/miss-navajo


Short Films



Now is the Time

Director: Christopher Auchter (Haida)
2019 | 16 min

When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.


https://www.nfb.ca/film/now-is-the-time/


Mareikura

Directors: Alika Maikau (Kanaka Maoli), Tristin Greyeyes (Cree), and Tihini Grant (Māori)

2019 | 7 min

In keeping with her family tradition, a young Māori girl is unduly pressured by her father to receive her moko kauae (chin tattoo). She is the last in her nana’s lineage. As she wrestles with her doubt and the weight of her responsibility, she questions the impact of her decision to uphold their family’s legacy.

http://www.steambox.co.nz/native-slam-shorts.html


Thirza Cuthand Is An Indian Within the Meaning of the Indian Act

Content Warning: Blood, nudity, and adult language throughout the film. This film is not recommended for young audiences. Viewer discretion is advised.  

Director: Thirza Cuthand (Plains Cree)
2017 | 9 min

Contemplating mixed race identity in Canada, Cuthand presents us with images of blood ties and land ties for indigenous people, and questions the use of the words “white passing” and “light skinned.” As a light skinned indigenous woman, Cuthand reiterates that racism and discrimination still happen for her, just in different ways. Community belonging is contrasted with the difference experiences she has from her darker skinned family. Ultimately, a video with more questions than answers, it situates the artist’s body in historical trauma and ongoing colonial survival.

https://www.vtape.org/video?vi=8806


Four Faces of the Moon

Director: Amanda Strong (Michif)
2017 | 13 min

Four Faces of the Moon follows the animated journey of an Indigenous photographer as she travels through time. She witnesses moments in her family’s history and strengthens her connection to her Métis, Cree and Anishnaabe ancestors. This is a personal story, told in four chapters through the eyes of director and writer Amanda Strong. The oral and written history of her family reveals the story — we witness the impact and legacy of the railways, the slaughter of the buffalo and colonial land policies. The film contains no English language, relying on sound, image and Indigenous voices to tell the story.

This multi-layered approach to storytelling may leave you with more questions than answers: it is an invitation to look into your own understanding of history, legacy and the importance in knowing who you are and where you come from.

https://www.spottedfawnproductions.com/four-faces-of-the-moon


This Is Who I Am

Director: Manuel Ibanez (Quechua)
Producer: Kalvin Hartwig (Bear Clan Anishinaabe)

2018 | 11 min

A young First Nations woman struggles with her identity in the big city. After a series of events, she realizes she can still be Anishinaabe, and in fact, it is her responsibility.

https://www.nfb.ca/film/this_is_who_i_am/


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