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8/26/2025

Sara Rodríguez Rivera Participates in Archaeological Fieldwork Project in Peru

College of Fine Arts
Palpa and Nasca, Peru are landscapes of layered time, where multi-millennia-old geoglyphs inscribe ritual in the desert, valleys record centuries of cultivation, and hacienda ruins speak of both extraction and endurance of those who were forced to labor within them. It was in this landscape that Art History doctoral student Sara I. Rodríguez Rivera participated this summer in the 2025 field season of the Haciendas of Nasca Archaeological Project (PAHN), an international archaeological project centered on Nasca’s Ingenio Valley, directed by Visiting Assistant Professor Brendan Weaver.
 
During their time in Peru, Rodríguez Rivera and Dr. Weaver were invited to speak about their projects with university students at the Escuela de Bellas Artes de Ica. Sara also contributed to the LiDAR (Light Detection and Ranging) documentation of the Jesuit chapel of San Francisco Xavier de la Nasca, a remarkable late Andean baroque-structure built between 1740 and 1745 with the labor of enslaved African-descended people. This documentation creates a lasting digital record that safeguards fragile details, supports future conservation, and makes the site’s history accessible to scholars, students, and communities.
The team also focused on the excavation and documentation of an aguardentera, a distillation structure used in grape brandy (today called pisco) production on the Jesuit estates. Through excavation, architectural registration, and laboratory processing, Rodríguez Rivera gained hands-on training in archaeological methods that greatly expanded her formation as an art historian. She also collaborated closely with archaeologists in Peru, including Kasumi Abanto Gavidia, an archaeology student at the Universidad Nacional de Trujillo, Jerry Solano, who teaches in the archaeology lab there and also works for the Ministry of Culture, and Miguel Fhon, archaeologist and director of the Bodega y Quadra Museum in Lima, Peru.
Community engagement is at the heart of the Nasca project. The archeaological team collaborates with local residents, cultural stakeholders, and artists such as Álvaro Luján Lancho and Dante Guevara Bendezú. Rodríguez Rivera also expressed gratitude to Vinceta Guerra Chipana, one of the project’s godmothers (madrinas), who welcomed them into her home and supported the project. These exchanges reaffirmed that the histories of places continue to live in the communities that inherit them. 

Sara writes:
“Although I had read about community-based projects, I had never witnessed one in practice, and it was an extraordinary exprience to collaborate with Dr. Weaver, the other team members, and the community. Through excavation, documentation, and dialogue, I saw how archaeology brings to light histories long buried, exposing systems of exploitation while also revealing the resilience, knowledge, and creativity of the enslaved communities who shaped the very landscapes where we worked. I was honored to experience firsthand a project directed with deep respect for both community and land, where I met inspiring people, learned the complexities of interdisciplinary archaeological practice, and saw that PAHN was more than an academic endeavor; it was a family to which I am deeply grateful to be a part of. I am also deeply grateful to Vinceta Guerra Chipana, one of the project’s godmothers (madrinas), who welcomed us into her home and upheld the project with such immense love and dedication. These exchanges reaffirmed that the past cannot be separated from the present, and that the histories of these places continue to live in the communities that inherit them.”

To learn more about PAHN, visit: https://www.pahnperu.org/